The Importance of Being Earnest, 1895 Algernon’s response to being rebuked for his unauthorized reading of the inscription in Jack’s cigarette case has much to tell us about the extraordinary power which was attributed to censored writing in the late nineteenth century.
More than half of modern culture depends upon what one shouldn’t read. Oh! It is absurd to have a hard-and-fast rule about what one should read and what one shouldn’t. Wilde, prolific in both playscripts and scenarios, and distinctly more bankable, was eventually successful in placing An Ideal Husband, and agreed to compress The Importance of Being Earnest to satisfy Alexander’s criteria. Shaw performed his role combatively in the columns of the Saturday Review, and in his energetic attempts to market his unpleasant plays through actor-managers such as Charles Wyndham and George Alexander. For a brief period, Wilde and Shaw mounted a combined assault on the West-End London stage, an outpost of mediocrity defended by serried ranks of Philistines, puppets and time-serving journalists, where the actor-managers offered to a complaisant public wholly predictable and limited theatrical fare. Shaw, rival as well as colleague, also found himself in the role of critic when he began to write theatre notices for the Saturday Review in January 1895, and had to respond successively to An Ideal Husband and The Importance of Being Earnest, which marked Wilde’s re-entry to the public arena of West-End theatre in the first months of that year. He was soon to be followed by George Bernard Shaw, who, while relishing the Celtic heritage he shared with Wilde, fashioned a distinctively contrasting public personality. Thank you for supporting Listen To Sleep.Wilde was arguably the first English-speaking playwright who systematically cultivated an image for himself.
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